Music at 3:00 p.m.
Socializing and light potluck at 2:00 p.m.
$15 suggested artist donation
For an invitation to attend, please RSVP to Lee
by email at email@example.com
or at 312-810-3067
We have a special treat for Valentine’s Day! Dave Gunning from Nova Scotia in Canada is going to warm up the day musically! I’ll have my Valentine with me and we’d love to share the afternoon with you. Still time for Valentine’s Day dinner after the show, too!
A charismatic performer and world class songwriter, Dave has the magnetic gift of captivating audiences by painting pictures through his heartfelt stories and compelling songwriting, humorous lyrics and stunning musical arrangements. Blending sensitive folk and innovative arrangements to his original songs, Gunning is rapidly building a solid fan base across Canada and abroad. Dave has a beautiful voice and great guitar chops and a warm personality.
“Gunning is the next big thing in the True North of Song, an artist as compelling, as assured and attentive to every nuance of the writing process, as Lightfoot, Cockburn and Stan Rogers before him.”- Toronto Star
You can check him out at the links below and on the radio the night before.
“Canadian Folk Heroine” is the tagline on Cara Luft’s web site. That’s a pretty cheeky claim to live up to, yet it’s a perfect way to describe Cara. She’s a fine and award-winning musician, singer and songwriter, a plucky performer with an impish sense of humor and a founding member of a Canadian folk super-group.
Cara Luft has a rich tradition in folk music. A Juno award winner (that’s a Canadian Grammy for those of you who are internationally impaired) and co-founder of acclaimed folk/roots trio the Wailin’ Jennys – it’s safe to assume that she knows her stuff – and upon listening it becomes quite clear that she is indeed a formidable songwriter and performer. ”Darlingford” marks her third release as a solo artist, and finds the lovely Ms. Luft continuing to hit her stride and setting the bar for the talented few who’ll follow in her footsteps. – Mathew DeRiso, No Depression
Cara has earned her solid reputation as one of Canada’s finest live performers with an engaging, down-home style, wrapped in a warm and delicious sense of humour. Her spirit and innate musicianship were instrumental in the rise of The Wailin’ Jennys to the forefront of the North American roots music scene. Since leaving the trio, she has wowed audiences and critics across North America and Europe with her performances. Yet, with all this acclaim, Cara is a warm, down to earth person, connecting to her fans as fellow travelers on her musical journey.
Cara and I have been trying to schedule a show for several years, visiting every year at Folk Alliance and trying to figure it out. We finally found a time and we have the privilege of being the only Chicago show on her spring tour of the upper midwest US.
Check out her music at these links:
Music at 7:00 p.m. Potluck and socializing at 6:00 p.m. Please feel free to bring a dish and beverage to share. Wine or beer are welcome. Water, glasses, dishes and silver provided.
For more information and an invitation, please contact Lee by e-mail at firstname.lastname@example.org or at 773-334-5776.
Suggested artist donation $20 (All funds go to the musician.)
Juno Award (Canada’s Grammy) nominees and “Canada’s ambassadors of musical diversity” Sultans of String thrill their audiences with their global sonic tapestry of dizzying roots music jams, polyrhythms and revved up riffs.
Sultans of String can’t be pinned down — it’s Sable Island meets the Silk Road, with detours through the Gypsy-Jazz coffeehouses of Eastern Europe, next an East Coast Kitchen Party, then over to the streets of Havana.
Seamlessly traversing diverse themes of heart, place and tradition, fiery violin dances with kinetic guitar. Throughout, acoustic strings meet electronic wizardry to create layers and depth of sound.
Kicking things off as a dynamic duo playing tiny cafes in 2007, this fiercely talented and hardworking indie act has been on a meteoric rise, with an astonishing number of awards and accolades in tow, and now, invitations to play the world stage and with such legendary artists as The Chieftains (whose very own Paddy Moloney appears on the Sultans’ new and ultimate world-classical crossover CD, “Symphony” (Sony).
Their music hit # 1 on world/international music charts in Canada, earned 2 Canadian Folk Music Awards, Festivals and Events Ontario “Entertainer of the Year” Award, and 1st place in the International Songwriting Competition (out of 15,000 entries).
They are now represented in the U.S. by acclaimed promoter David Wilkes (Emmylou Harris, Bela Fleck).
We are thrilled to host Sultans of String as the duo of Chris McKhool and Kevin Laliberté – they are not to be missed – especially close up in our living room. I’ve seen them showcase at Folk Alliance International and Regional conferences and I never tire of listening, amazed at all those notes and amazing music produced by only two musicians!
You can take my word for it but you don’t have to. Here’s what some folks in the industry have to see. Please go to the website and have a listen and you’ll want to come here them in person. And they will have their brand new CD, “Move” available for purchase.
“Kevin and Chris are two extremely talented and creative musicians. Each of them have an extensive background in various traditions and numerous musical accomplishments to their credit. Their own compositions are … exciting and highly original. They are musicians and songwriters of the highestcalibre!” – Ken Whiteley, Producer
“Virtuoso playing…. An exuberant and infectious sound… Powerful and moving… The Sultans are simply an awesome musical group!” – Mike Hill, Artistic Director, Mariposa Folk Festival
“An organic mix of rumba, Gypsy, jazz, Middle Eastern and Spanish flavours – they all mix together beautifully… brilliantly executed!” – Errol Nazareth, CBC Radio One
“I remember the shiver up my spine on hearing the calls of Luna- the west coast killer whale searching for his pod- amazingly recreated on Chris’ electric violin. Haunting, moving and not to be missed!” – Charles McFarland- Artistic Producer, Centrepointe Theatre
Music at 7:30 p.m. Potluck and socializing at 6:30 p.m. Please bring a dish and beverage to share. Wine or beer are welcome. Water, glasses, dishes and silver provided.
For more information and an invitation, please contact Lee by e-mail email@example.com or at 773-334-5776.
Suggested artist donation $20
(All funds go to the musicians.)
Antje Duvekot is one of the brightest singer-songwriters to rise out of Boston’s competitive acoustic music scene. Her second studio album, “The Near Demise of the High Wire Dancer” on Black Wolf Records was released in 2009 (she has a new live album out since then). Antje chose one of her favorite songwriters, Richard Shindell to produce the album. Richard lent his talent to the record and brought in well respected musicians such as John Gorka, Lucy Kaplansky and Victor Krauss.
“What a blessing to have worked with someone as talented as Antje. With a voice like hers, and songs as good as these, a producer (especially a first-time producer!) just tries to get out of the way, to do no harm, and to let the artist speak for herself.” – Richard Shindell
“The Near Demise of the High Wire Dancer” demonstrates why, according to The Boston Globe, “Antje Duvekot’s provocative, dark-eyed ballads are becoming the talk of the folk world. Duvekot has gotten hotter, faster than any local songwriter in recent memory.” The songs on the album reflect both Duvekot’s personal journeys and her observations of those of others. Antje remarks “I’ve come to find that writing about someone else’s struggles or happiness feels just as cathartic as writing about my own.”
“As far as I can tell, Antje is the whole package… I’ve had this reaction once in the past 10 years, and that was the first time I heard Patty Griffin… Antje has proven once again that she ranks with the most intense and beautiful songwriter on the planet”- Dave Marsh former Editor of Rolling Stone and XM/ Sirius Satellite Host
Along with 7 new songs, Antje and Richard decided to add studio versions of some of her best known songs such as, “Merry Go Round”, which was used in a Bank of America national TV ad campaign as well as radio favorite “Long Way”. “Since I first recorded this older material live, I have become a better performer”, Antje explains “I decided to revive the songs that were worthy and produce them properly so that I should not be such a bad mother to them”.
Singer songwriter Ellis Paul says “Antje is the rare artist that can write about the social and the personal in the same breath. She is as understated as she is wise and her songs go down mentally as well as soulfully. Her voice has a sound of innocence and naivety which makes razor sharp insights into the human condition.”
Neil Dorfsman, the producer of Bob Dylan, Bruce Springsteen and Sting says, “When I first heard Antje I knew I was witnessing something very special. She creates an entire, detailed world in verse, and takes you there with beautiful and understated melody. Her songs are stunning paintings of color and shade and always generate the heat and light that real art should. In an unpoetic and ‘in your face’ world, she is lyrical and subtle.”
Suggested artist donation $20
Music starts at 7:00 p.m. Socializing from 6:00 p.m.
Light refreshments provided, BYO wine and/or potluck refreshments to share are welcome.
For more information and an invitation, please contact Lee at 575-571-9178 or by e-mail at lasalturashouseconcerts (at) gmail.com.
From north of the border, two award-winning Canadian singer/songwriters will bring us an amazing evening of songs and stories. Don’t miss this rare opportunity to hear a two of Canada’s top performers.
As the youngest in a musical family of eight children, Lynne was exposed to a diverse array of musical eras and styles as she grew up. Older siblings were quick to pawn off their babysitting duties to stacks of records and tapes, Lynne being only too happy to sit and sing along for hours with the likes of Johnny Cash and Bruce Springsteen. The result is a hybrid brand of eclectic roots music that Lynne can truly call her own merging her thought-provoking lyrics with heart-felt soul-country.
Hanson’s early love of jazz was later replaced by bluegrass and traditional country , while teenage years included singing and playing Neil Young songs at home. If pressed, Lynne will describe her sound as “porch music with a little Texas red dirt. I write these songs on acoustic guitar in my kitchen. I want them to sound like the original concept, except with a band. I call it porch music, as it’s like everyone in the neighbourhood comes over and brings their instruments.”
With an open heart and not a hint of sentimentality, Hanson sings simply and honestly about loss and the search for redemption. That redemption comes at her live shows. No one leaves a Lynne Hanson concert feeling heavy-hearted. Onstage Hanson is a happy-go-lucky storyteller with a gift for the gab and a wink in her eye, engaging her audience just as much with her stories and one-liners as she can with her music. She’s intimate with her audience, as if she were shooting the breeze with old friends at her kitchen table. Or her front porch.
Which brings us back to that Texas red dirt…
“Any listener thinking Hanson couldn’t have been born north of the Mason-Dixon Line is forgiven.” – Folk and Acoustic Music Exchange
Hanson grew up seeing more white Canadian snow than Texas red dirt. She grew up in Ottawa, a quiet, conservative government town with bone-chillingly cold winters. Unlikely breeding ground for a southern-style roots musician? Perhaps. But anyone who can live through a lonely Ottawa winter just might emerge in springtime singing the blues. And that’s exactly what Hanson did.
For years, Hanson was a self-described “closet kitchen musician” until 2006 when everything she’d kept inside spilled out onto her acclaimed first CD, Things I Miss.
Things took off pretty quickly with the release of her second CD, Eleven Months. Word got out about an earthy singer-songwriter from Canada and Hanson was invited to showcase stages from Austin, Texas to Memphis, Tennessee, a European tour, a few more stops in Texas and a Canadian Folk Music Award nomination.
It’s been a busy few years for Lynne Hanson. And with a nonstop touring schedule she’s not taking any breaks just yet. Well, maybe just a few. On her front porch. To kick off her cowboy boots, grab her guitar and write some more unforgettable songs for her third CD.
They say everything’s bigger in Texas. With a little Texas red dirt under her heels, Hanson might have to consider building a bigger front porch to fit in more fans.
Since I first got to see Lynne at Folk Alliance, I’ve been one of those fans. We agreed she should do a show at Las Alturas House Concerts a while ago but Ottowa, Canada isn’t right around the corner from Las Cruces, so it has taken us a while to get her here. I assure you she was worth the wait.
2009 Canadian Folk Music Award Nominee – New/Emerging Artist of the Year
2009 Southwest Regional Folk Alliance Official Showcase Artist
2009 Kerrville New Folk Finalist
2009 Rose Garden Coffeehouse Performing Songwriter Finalist
2008 FAR West Official Showcase Artist
2008 Mountain Stage New Song Canadian Finalist
Born outside Montreal in Sweetsburg, Quebec, Lynn Miles grew up in a musical home. Her father played the harmonica and listened to his jazz collection while her mother was a lover of both opera and country music. Miles’ mother recalled once that she knew when Lynn had finally fallen asleep in her crib: Lynn stopped singing. During her elementary school years, Miles learned guitar, violin, flute and piano. She began performing in public at around the age of sixteen and when she was in her early twenties she studied with an opera singer to strengthen her voice and enrolled for a time at Carleton University in Ottawa where she studied classical music history and theory. Years later, Miles put this training to good use while serving as a voice teacher at the Ottawa Folklore Center. While at the center, she taught voice to many students including a then fourteen-year-old Alanis Morrisette. The lessons came just prior to the making of Morrisette’s first album.
Though Miles had been writing her own songs since the age of 10, she didn’t end up recording any of her own material until 1987 when she cut 9 original compositions for a demo at Happyrock Studio in Ottawa. An avid reader and music-lover, those early recordings were inspired by the books she loved to read, and the music she listened to on the radio.
Miles continues to draw inspiration from music and literature to this day. On her latest album (Love Sweet Love) for example, the opening track, “Flames of Love,” was inspired by a long period of reading Sufi poetry. “I’m fascinated by the way the Sufis write about love,” Miles says. “Their love is spiritual, and I reinterpreted it and wrote ‘Flames of Love,’ about jumping in the fire, Lynn Miles letting go and not being afraid and letting it get hot and not caring about what other people think. Just really going for it.” The idea – and the song itself – is exhilarating and exciting, yet full of hidden corners and alleyways from where the joy can be blindsided without notice. But as Miles notes, “You don’t learn from happiness.”
If that’s true, one gets the sense that Miles has learned a lot. In a career that has seen her move from Ottawa to Los Angeles and back to Ottawa, and release albums as varied as the slick Night in a Strange Town (co-produced by Larry Klein, of Shawn Colvin and Joni Mitchell fame, and featuring renowned west-coast studio musicians David Piltch, Dean Parks, John Cody and Tal Bergman) and the stark Unravel, Miles has consistently been unflinching in putting it all out there: the unbridled ecstasy of new-found love, the fragile process of sweeping up the pieces when it breaks.
The accolades, meanwhile, continue to pour in. Her 1996 album, Slightly Haunted, was a Billboard Top 10 Pick of the Year. Unravel (released 2001) was praised by critics – All Music Guide describing it as “sounding as if it’s been produced by Daniel Lanois in an Appalichian town” and “a diamond in the rough.” Canadian folk-music icon Valdy once said, “I’m sorry for all the heartache she has to go through in order to get those juices going, but, yeah, she’s marvelous.” The New York Times may have said it best: “Lynn Miles makes being forlorn sound like a state of grace.”
Therein is the powerful secret behind Miles’ music – her astute observations of life, its trials and triumphs, are the hallmark of sincerity in her music. The gritty honesty of her music never falters – neither does her unshakeable ability to make even the most melancholy lyrics sound as if they are brimming with hope and grace. “Little Bird” infuses her lyrics with an assertive and encouraging voice. “I wrote this song after reading “In the Realm of Hungry Ghosts” by Gabor Mate. It’s the best book on addiction and articulates the need for compassion when dealing with addictions. The song about what I call The X Factor, the initial source of pain that can cause a person to seek solace in alcohol and drugs.”
Lynn Miles is a musician in the rarest sense of the word, an unmistakable talent, with an eye for both the subtle and sweet that can only be unearthed with experience.
2005 Winner Canadian Folk Music Awards – Best Singer Contemporary
2005 Winner Canadian Folk Music Awards – Best Songwirter – English
2003 Winner Juno Award for Roots & Traditional Solo Album of the Year
Suggested artist donation $15
Music starts at 7:00 p.m. Socializing from 6:00 p.m.
Light refreshments provided, BYO wine and/or potluck refreshments to share are welcome.
For more information and an invitation, please contact Lee at 575-522-5197 or by e-mail at lasalturashouseconcerts (at) gmail.com.