Shawna Caspi, Sunday, April 29, 2018

Find out more about the Shawna Caspi show.

Music at 4:00 p.m.
Socializing and light potluck at 3:00 p.m.
$20 suggested artist donation*

For an invitation to attend, please contact Lee by email at lee@windycityhouseconcerts.org or at 312-810-3067

Free childcare provided (advance notice required)

I was introduced to Shawna when she played an Official Showcase at the FARM (Folk Alliance Region Midwest) conference last October. I was blown away by the combination of her finely crafted songs, achingly beautiful vocals, and masterful guitar playing. I had a chance to interview her at the Folk Alliance International conference this past February. Click to read the interview.

Toronto-based singer-songwriter and fingerstyle guitarist Shawna Caspi hadn’t done much traveling before tapering off a series of administrative jobs to start touring full-time. She had never even rented a car. She had never been camping before performing at the Blue Skies Music Festival in 2014.

Since then, Shawna has toured throughout Canada and the United States, including performances at the Ottawa Grassroots Festival, the Shelter Valley Folk Festival, the Summerfolk Festival (ON), and the Deep Roots Music Festival (NS), and concert series including the Calgary Folk Club, the Nickelodeon, the Northern Lights Folk Club (AB), the Greenbank Folk Music Society (ON), the Circle of Friends Coffeehouse (MA), On Your Radar (NY), and Six String Concerts (OH).

Shawna’s fourth album Forest Fire, released in September 2017, is a collection of songs about burning things down and building them up again. Engineered and produced by Don Kerr (Rheostatics, Bahamas, Ron Sexsmith), the elegant arrangements draw the listener into the depths of haunting, atmospheric tracks, then lift them out with airy, bluegrass instrumentation and hopeful narratives for brighter days. It’s dark granite stone with a shot of glimmering quartz through the middle. When the words get heavy, they are held up to the light of love, grace, and gratitude. With these songs, Shawna strives to be unafraid, to embolden quieted voices, to tell the truth above all else.

It’s an album about cycles, about playing the long game. That’s why it’s called Forest Fire – something that seems huge and devastating when it happens, but in the relative vastness of space and time, it’s just one small moment on a much grander scale, a necessary catastrophe that leads to new growth.

Shawna’s vocals are brewed by years of classical training followed by years on the road finding her own voice singing folk songs. She combines power, intensity, character, and closeness. She has a whole band under her fingertips, with a remarkable lyrical fingerpicking guitar style. Her performances capture audiences with grace and intimacy whether the setting is a living room, a festival stage, or the bar car of a passenger train.

“Some musicians make songwriting sound less of a craft and more of a life affirming obsession. Caspi’s compositions stand out as beautiful, complex and intricate even in an increasingly crowded folk scene.” – NOW Magazine

“Shawna taps into her Canadian folk roots to share songs with beauty, humor and a keen eye for the world around her. Add to the fact that she is a classically trained guitarist with a stunning voice, and you have an artist that is destined to be an important artist on the folk circuit.” – Ron Olesko, Sing Out! Magazine

“Shawna’s songs have a way of making you feel at home, no matter where you are.” – Lynda Norman, Executive Director, Kelowna Arts Council

http://www.shawnacaspi.com/

https://www.youtube.com/shawnacaspimusic

http://www.facebook.com/shawnacaspimusic

http://twitter.com/shawnacaspi

Alice Howe, Sunday, March 25, 2018

Music at 4:00 p.m.
Socializing and light potluck at 3:00 p.m.
$20 suggested artist donation*

For an invitation to attend, please contact Lee
by email at lee@windycityhouseconcerts.org
or at 312-810-3067

Free child care provided (advance notice required)

With her soulful, impeccably tuned voice and crafted poetry, Boston singer-songwriter Alice Howe is “at once of the moment and timeless, personal and universal” (Mark Walton, Americana UK). Her pure, distilled sound reflects a musical sensibility rooted in ’60s folk and ’70s Southern California songwriters. Alice’s 2017 EP You’ve Been Away So Long features her original song “Homeland Blues,” which debuted at #1 on the April Folk DJ chart and came in as the #7 song of the entire year. She was a 2017 Falcon Ridge Folk Festival Emerging Artist, and has performed at such venerable Northeast venues as Club Passim, Caffè Lena, and Caramoor Center for Music and the Arts.

“A gem…at once of the moment and personal, timeless and universal.” – Mark Walton, Americana UK

“Up there with the very best of Mary Chapin Carpenter, Gretchen Peters and Dar Williams” – Folking.com

“These are well crafted songs” – Country Music People (UK)

“This music is visceral, real and simple” – Folkwords

“…I could listen to her sing for hours. Her voice is beautiful as a bell, classic in that Joan Baez way, transporting, wistful…her vocal mastery and musicality are beyond her young years and her songs stay in my head for days.” -Antje Duvekot

“How can a singer-songwriter have a voice like a broken angel’s bell and write songs that could be a week or a hundred years old all at once? Alice Howe, that’s how.” – Vance Gilbert

“Classic emotive folk reminiscent of Kate Wolf, Alice Howe’s earnest lyrics and heart-melting vocals might be the musical equivalent of lying in the dark beneath a clear sky of stars.” – Robby Hecht

https://www.alicehowe.com/
https://www.facebook.com/alicehowemusic/
https://www.youtube.com/channel/UCX8jC6IrUVOuqnyOs2fIs9g
https://alicehowe.bandcamp.com/
https://meandthee.org/interviews/alice-howe/

Abbie Gardner (from Red Molly), February 11, 2018

Music at 4:00 p.m.
Socializing and light potluck at 3:00 p.m.
$20 suggested artist donation*

For an invitation to attend, please contact Lee
by email at lee@windycityhouseconcerts.org
or at 312-810-3067

Free child care provided (advance notice required)

Abbie Gardner, the fiery Dobro player with an infectious smile toured with Americana darlings Red Molly for eleven years. After gracing stages from Denver to Denmark, from Australia to Austin, the band took an indefinite hiatus in 2015, so Abbie is having a blast stepping out into the spotlight for her own gigs! No stranger to solo performing, she has three CDs to draw from, each with award-winning songs. Tales of love and loss, both gritty and sweet, ride the back of her by-now familiar, formidable slide guitar licks. She channels Lucinda Williams and Bonnie Raitt but remains pure Abbie. 

Always keen on following the vocal part and trying to find the one really perfect note, instead of a dozen okay ones, Abbie is quickly compiling an extensive discography of recording credits. Her own CDs include Honey on My Grave (2006), Bad Nights/Better Days (2008, with Anthony da Costa), and Hope (2011), which features three different kinds of slide guitar (dobro, lap steel and National bottleneck). Abbie has been recognized as an award-winning songwriter, with such accolades as; 2006 Rocky Mountain Folks Festival Songwriter Showcase (2nd place), 2008 Lennon Award Winner (folk) for “The Mind of a Soldier” and 2008 American Songwriter Magazine Grand Prize Lyric Winner for “I’d Rather Be.” “The Mind of a Soldier” was also featured on Lufthansa Airlines in 2010.

Abbie has had the honor of being part of the songwriting faculty at the 2010 and 2011 Swannanoa Gatherings and assisting at Reso Summit, Nashville’s Resonator Conference, for the past several years. She wrote and released a song per week for a year as part of the 2013 Real Women Real Songs project and continues to attend Jack Hardy’s Monday night Songwriter’s Exchange in NYC to hone her writing skills. She has been having a blast doing gigs with different bands, backing up her friends and stepping out into the spotlight for her own gigs. Abbie has a brand new solo CD ready to release in January of 2018 and is excited to tour as a solo act in support of that CD.

“Abbie Gardner shows her prodigious writing chops in her album, Hope. Tales of love and loss, both gritty and sweet, ride the back of her by-now familiar, formidable slide guitar licks. She channels Lucinda and Bonnie, but remains pure Abbie.”
— Richard Cuccaro, Publisher, Acoustic Live

http://www.abbiegardner.com/
https://www.youtube.com/user/SlideSessions
https://www.facebook.com/pg/abbiegardnermusic

Escaping Pavement, Sunday, December 3, 2017

Escaping Pavement

Music at 4:00 p.m.
Socializing and light potluck at 3:00 p.m.
$20 suggested artist donation*

For an invitation to attend, please contact Lee
by email at windycityhouseconcerts@gmail.com
or at 312-810-3067

Free child care provided (advance notice required)

Fresh from their fine Official Showcase at FARM (Folk Alliance Region Midwest), Escaping Pavement
brings their lively and exciting show to Windy City House Concerts!

Hailed as “One of the most dynamic Americana groups out of Detroit, Michigan” Escaping Pavement masterfully blends and blurs the lines of Bluegrass, Folk, and Americana. Their unique joint front person arrangement, with Emily Burns and Aaron Markovitz sharing equally in singing, songwriting, and guitar playing allow for astounding, harmony-driven, musical interplay. With over 500 shows under their belt, a new EP composed of music inspired by the National Parks, and a non-stop touring schedule, this Detroit-Music-Award-winning duo is ready to spread their roots-based message, far and wide.

From Detroit to Pasadena, to the high seas and then back to Detroit; it’s only when the Detroit-Music-Award-winning duo escaped the neon blitz and car-strewn concrete of the city that they discovered how well their music could bloom when they brought it back to the roots. There is so much life and vitality in the Americana-folk journeys of Escaping Pavement, sprung entirely from acoustic guitars, a mandolin, a ukulele, and two voices. With fiery passion, wistful reflection, awestruck adventurousness, and heartstring-plucking poignancy, the duo takes listeners through the range of human emotion and celebrates the purities of what we’ve left behind for the artifices of tech trends, drug stores and cacophonous city centers.

This Ferndale (MI) based duo is one to watch. The minimalist pair (Emily Burns & Aaron Markovitz) demonstrate a superb sense for harmony between their vocals and their strums on the mandolin and baritone guitar. It’s bluegrass-Americana revivalism that warms the heart. – Detroit Free Press – Jeff Milo

Dual gender vocals that embrace Americana, country and roots rock feelings, with banjo fills and a semblance of twang Uprooted surprisingly steers more toward a folk spirit than anything else. Rustic and graceful, there’s still plenty of playfulness with blues ideas, as these old souls in young bodies pen warm, sincere songs that digest so easily. – InForty Music Blog

Sometimes, there is amazing music right in your own back yard, and you don’t even know about it. Such was the case with Escaping Pavement. Straddling many SeMiBluegrass genres, this vocal/instrumental duo has garnered not only local, but regional and national attention with their hard-driving, vocal-driven approach to acoustic music as exemplified by their superb new album, “The Night Owl”. There’s a LOT of bluegrass in this duo…from the fiddle-tune laced mandolin licks of Aaron Markovitz or the driving, pounding rhythm guitar work of Emily Burns–she even rips off a killer flatpick solo at the end of “Leave the Light On” that is one Lester Flatt G-Run short of bluegrass perfection! But this band has so much more to offer. Sandwiched in between the first and last songs on the album (which are acoustic/electric guitar-driven American numbers) are eight mandolin/guitar pieces that will blow you mind. – SeMiBluegrass Blog

http://escapingpavement.com/
http://facebook.com/escapingpavementband
http://instagram.com/escapingpavement
http://soundcloud.com/escapingpavementband
http://twitter.com/Escape_Pavement
http://youtube.com/EscapingPavement
https://www.sonicbids.com/band/escapingpavement/press/

To get emails about our shows, please click here to subscribe to our mailing list.

* All funds go to the musicians

Missy Raines and the New Hip, Sunday, November 12, 2017

Missy Raines and the New Hip at Club Passim

Music at 4:00 p.m.
Socializing and light potluck at 3:00 p.m.
$20 suggested artist donation*

For an invitation to attend, please contact Lee
by email at windycityhouseconcerts@gmail.com
or at 312-810-3067

Free child care provided (advance notice required)

With a smokey and seductive alto, 7-time IBMA (International Bluegrass Music Association) Bass Player of the Year, Missy Raines, heads up this all-acoustic ensemble. The territory The New Hip covers is broad and the compass is set by Raines, planted right in the center of the stage directing with her bass every bit as much as she’s playing it. Raines, “…launches her well-tended craft off the bluegrass dock into the waters of jazz and folk, holding onto the anchor of bluegrass while pushing steadily at the boundaries of the music that engulfs her.” -Country Standard Time

Raines’ bluegrass roots are deep and long-reaching with touring and recording stints with 1st generation legends such as Eddie Adcock, Mac Wiseman, Jesse McReynolds, Josh Graves and Kenny Baker. A former member of the Claire Lynch Band, The Brother Boys, and one half of the acoustic super duo, Jim Hurst (who played for Windy City House Concerts three years ago this month) and Missy Raines, Missy is one of the most respected and popular figures within the bluegrass community. And in the small world department, Missy played with Bill Evans and our close friend, Steve Smith in the band Cloud Valley early on.

“A seductive amalgam of folk, country, bluegrass, and rock, recalling the earliest platters by Lucinda Williams and Rosanne Cash.”
– Icon Magazine

“Raines is not only a superb bassist but also an excellent singer, with a matter-of-fact, low-key delivery that’s sometimes hushed, sometimes seductive, sometimes channeling a simmering unease.”
– New York Music Daily

The New Hip, along with bands such as the Avetts and Churchill, add their brilliance to the swiftly growing collection of Newgrass artists that have brought southern music to the mainstream.
– Deep South Magazine

https://www.youtube.com/user/missyrainesmusic
http://www.missyrainesandthenewhip.com/
https://www.facebook.com/missyrainesandthenewhip/

To get emails about our shows, please click here to subscribe to our mailing list.

* All funds go to the musician

Dayna Kurtz with Robert Mache, August 13, 2017

Dayna Kurtz

Music at 4:00 p.m.
Socializing and light potluck at 3:00 p.m.
$20 suggested artist donation

For an invitation to attend, please contact Lee
by email at windycityhouseconcerts@gmail.com
or at 312-810-3067

Free child care provided (advance notice required).

Over the past decade, the New Jersey born, now New Orleans (and seasonal Vermont) resident vocalist/writer/musician/producer has been bestowed with many awards and praises, including being named the Female Songwriter of the Year by the National Academy of Songwriters. Norah Jones and Bonnie Raitt have raved about her in interviews, and she’s performed on such high-profile radio shows as World Cafe, Mountain Stage and NPR’s Morning Edition and Tell Me More. She’s toured and opened for the likes of Elvis Costello, Richard Thompson, Mavis Staples, Rufus Wainwright, B.B. King, Dr. John, Richie Havens, Keren Ann, Chris Whitley, and the Blind Boys of Alabama.

“When Kurtz sings, one of two things typically happens. Either she lets out a deep, husky croon that seems to bubble up from her toes, or she unleashes a full-throttle roar that’s more inviting than imposing…There’s no logical reason why Dayna Kurtz is not a full blown star.” James Reed, Boston Globe

Dayna’s new disc (Here, Vol. 1 due March 2017), is a live record with career spanning tracks, culled from her 2016 Dutch theater tour with guitarist Robert Mache. It manages to capture the heart-stopping edge-of-your-seat mesmerized silence that Dayna Kurtz seems to magic from her audiences. “I began my career as background music in crowded beach bars,” explains Kurtz, “and I used to make a game of seeing what it would take to shut people up. I got good at it. Although there’s some tricks to it, it was really more a kind of witchcraft than anything – I learned to draw whatever power and attention there was in the room being sent my way and sent it back out again. Other people got caught in the loop and started paying attention too. And as long as the crowd wasn’t shitfaced or distracted by a TV I could usually get them. It was good training, even now that my audiences are more inclined to listening already anyway. I write music that requires some attention.”

On her work and friendship with Robert Mache (Continental Drifters, Steve Wynn) Kurtz says, “I’ve loved Robert’s playing for such a long time, and we’ve been friends longer than we’ve been touring partners – he was one of the first musicians to befriend me in New Orleans. That we had such undeniable chemistry has been one of the greater recent gifts of my life, and I just wanted to document it somehow, and quite a few people in my life including my label have suggested a live record. I’d been hesitant, only because there’s only a few live records I listen to with the devotion I’d give a beloved studio record. It’s notoriously really difficult to capture the feeling of being there in the dark experiencing it. Then the challenge of it intrigued me.”

“Dayna Kurtz is the kind of artist who inspires wild-eyed zealotry among her fans, and there are three reasons for it: One, she’s an artist’s artist, one whose whiskeyed, determined alto often earns her comparisons with Nina Simone; two, while Europeans adore her, she’s obscenely underappreciated in her own country; and three, her songs, which straddle a difficult space between jazz, rock, and folk, are pure poetry. Her latest release owes its artist instant stardom. If that’s unattainable, it should at least earn her the one descriptor all serious artists strive for: important.” – Tammy La Gorce ALL MUSIC GUIDE

“Dayna Kurtz’s diverse vocals feel both old and new, recalling Nina Simone of yesteryear…hypnotically haunting” – New York Post

http://daynakurtz.com/
https://www.facebook.com/Dayna-Kurtz-official-165422183479985/

Dayna Kurtz & Robert Mache – “Reconsider Me” (live @Bimhuis Amsterdam):
https://www.youtube.com/watch?v=UO3XP9oQ8P4

Dayna Kurtz & Robert Mache – “It’s How You Hold Me” (live @Bimhuis Amsterdam):
https://www.youtube.com/watch?v=TNM9MdRxtTI

Dayna Kurtz & Robert Mache – “Amsterdam Crown” (live @Bimhuis Amsterdam):
https://www.youtube.com/watch?v=wJ6Ukh286_o

Dayna Kurtz & Robert Mache with the Frysk Harmony Orchestra on Noardewyn Live, radio show from Leeuwarden in The Netherlands:(br>
https://www.youtube.com/watch?v=kiqWkJqdE64

C. Daniel Boling, Sunday, July 9, 2017

Daniel Boling Banjo

Music at 4:00 p.m.
Socializing and light potluck at 3:00 p.m.
$20 suggested artist donation

For an invitation to attend, please contact Lee
by email at windycityhouseconcerts@gmail.com
or at 312-810-3067

Free child care provided (advance notice required).

A 2014 Winner of the Grassy Hill Kerrville New Folk songwriter contest, Daniel shares experiences from a life well-lived in places as far-ranging as Okinawa, Japan, and Padre Island, Texas. Daniel is a balladeer/songwriter and delights audiences with his well-crafted story songs coast-to-coast in over one hundred shows a year in house concerts, listening rooms, theatres and festivals. For three decades Daniel was a gun-toting Park Ranger and Criminal Investigator in National Parks and Public Lands throughout the west and he started touring fulltime at 50.

Daniel’s songs tell interesting stories about a variety of characters, including himself, played on guitar, banjo and banjitar (a banjo/guitar hybrid) with a deft fingerpicking style. His clear tenor draws positive comparisons to John Denver and Pete Seeger, and folks say there’s a lot of Steve Goodman in his delivery and storytelling. Other songwriting awards include 1st Place at Woody Guthrie Folk Festival, Walnut Valley Festival, Santa Fe Bluegrass and Old Time Festival, and Albuquerque Folk Festival. You can’t help but relate to Daniel’s songs!

http://www.danielboling.com

https://www.facebook.com/daniel.boling.10

http://www.sonicbids.com/CDanielBoling

http://www.youtube.com/user/PerfectlyStableMusic

David G. Smith, Sunday, November 13, 2016

David G. Smith with guitar

Music at 3:00 p.m.
Socializing and light potluck at 2:00 p.m.
$15-20 suggested artist donation*

For an invitation to attend, please contact Lee
by email at windycityhouseconcerts@gmail.com
or at 312-810-3067

David G. Smith was raised in a musical family in the hills of northeastern Iowa. He started writing songs and played in a variety of bands, locally and then touring the Rockies for 10 years. He moved to Nashville to follow his passion for songwriting. His song catalog began to explode, but at a price.

“I started losing my soul writing material that didn’t speak to me in the name of writing songs for others to sing. It was an insidious process and eventually the muse was not showing up and I didn’t know why. “

He ventured on a song-writing retreat to Costa Rica with Americana all-stars Darrell Scott, Beth Nielsen Chapman, and Mary Gauthier. He recalls both Darrell and Mary looking him straight in the eye and challenging him to stop writing songs to pitch to others. Their advice: To stop chasing the Nashville music scene and start performing his own songs. But their real challenge cut to the bone: Write the truth!

He took their advice and five albums later, he’s following his own path, touring nationally, winning song writing competitions and taking his story songs to audiences around the country.

[Smith] “comes across with the same sort of weathered resolve that best exemplifies fellow travelers like Kris Kristofferson and Townes Van Zandt.” -Lee Zimmerman/No Depression

Check out David G. Smith at the links below:
http://davidgsmithmusic.com/
https://www.youtube.com/user/davidgsmith33/videos
https://www.facebook.com/heydavemusic
https://www.facebook.com/davidgsmithmusic

To get emails about our shows, please click here to subscribe to our mailing list.

* All funds go to the musician

Jenn Grinels – Sunday, October 23, 2016

Jenn Grinels

Music at 3:00 p.m.
Socializing and light potluck at 2:00 p.m.
$20 suggested artist donation*

For an invitation to attend, please contact Lee
by email at windycityhouseconcerts@gmail.com
or at 312-810-3067

Award-winning musician Jenn Grinels is a dynamic songwriter, powerhouse vocalist and all-round entertainer who will absolutely dazzle you.

Last year the rising star spent time on the road opening for famed band the 10,000 Maniacs, at one point prompting San Francisco Examiner reviewer Kenneth Fish to write, “Grinels steals the show. She is a rock and roll temptress conjuring musical spells that no one could resist. Whether quietly purring into the microphone or seriously belting out a tune, the audience was hanging on every note and lapping up every well crafted phrase. (She) has the rare gift of being a well-rounded performer who engages the audience fully and openly, sharing the performer as much as the performance. And her performance was nothing short of amazing.”

The self-described “soulful, bluesy, jazzy, folk rock artist” has released three critically acclaimed full-length albums, built a loyal fan base all over the world and won numerous awards for her electrifying live performances. Her single “Right From The Start”(brokenHEARTbreaker) can be heard on radio stations nationwide and music from her full length albums has been featured on several major television networks and in films all over the world.

“When you end the night standing and cheering with all of your friends and 200 strangers, you know something wonderful just happened. If the stars made music they would be jealous of Jenn Grinels. …an unbeatable live experience. Goosebumps all around.” – GuerillaCandy.com (Seattle, WA)

“Her voice is just absurd. Two artists kept coming to mind – Martin Sexton and Fiona Apple. Sexton because of her vocal focus & control; Fiona Apple because of her tell-off confessional and conversational lyrics, her penchant for complex rhyme schemes, and her powerful, listen-up-buster delivery.”
– Crazytalk.com (San Francisco, CA)

“A folksinger of uncommon strength and vitality, who puts the lie to most popular notions about women with guitars who sing of life and love’s injustices. She achieves the energy of rock without subverting the melody and lyrics, and the effect is electrifying.” – Wenzel Jones, Back Stage West

Recent videos of Jenn playing a house concert:
https://www.youtube.com/channel/UCpFzFTFVdPMrbqYlGUV1mWA

Jenn on the web:
http://www.jenngrinels.com/
https://www.facebook.com/jenngrinelsmusic/

To get emails about our shows, please click here to subscribe to our mailing list.

* All funds go to the musician

Ernest Troost – Cancelled for Sunday, September 11, 2016

Ernest Troost

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Music at 3:00 p.m.
Socializing and light potluck at 2:00 p.m.
$15-20 suggested artist donation*

For an invitation to attend, please contact Lee
by email at windycityhouseconcerts@gmail.com
or at 312-810-3067

Update: We had to cancel this show – please join us for a future show.

I’m thrilled to host Ernest Troost in his return to Chicago. He played WFMT Folkstage last year in June and this year we get to host him. He’s also playing Two Way Street Coffee House on Friday, September 9 before heading north to Wisconsin for several shows. We’ve hosted Ernest previously in New Mexico and gotten to know him a bit. Some of his songs are a bit dark, but he’s a lovely person to spend time with.

Ernest is an Emmy-winning film and television composer as well as a recipient of the prestigious Kerrville New Folk award for his songwriting. He also composed and produced two award-winning albums of songs for Judy Collins using the words of Emily Dickinson, Robert Browning, Gertrude Stein, and others. Los Angeles-based Troost’s scores for films include the cult classic Tremors and HBO’s award-winning Lesson Before Dying.

As a solo performer, Ernest brings his amazing songs to life with a spare singing style and some amazing guitar chops, all in service of story-songs that tell a story – aural movies, if you will, that will draw you in time after time.

“Troost’s style and subject matter recall Dylan, Dave Alvin, and (especially for his concentration on life’s darker side) Richard Thompson —enviable company indeed.” – Tom Hyslop, Blues Revue Magazine

“Ernest Troost’s music is a perverse and diverse celebration of American folk music. . It’s a vibrant festival of tragedy and comedy, a wind-blown crossroads of American culture where Piedmont blues meets modern literature in the darkest of themes.” – Terry Rolands, Folkworks.org

“Imagine a bayou-bred John Steinbeck taking up a fret board instead of a pen and you’ve pretty much got the picture.” – Don Grant, Freight Train Boogie

http://ernesttroost.com/
https://www.facebook.com/ernest.troost
https://soundcloud.com/ernest-troost

Videos:

“Pray Real Hard” from Ernest’s most recent album, “O Love”.
https://www.youtube.com/watch?v=xgMnKbFxhxU
“Switchblade Heart” is one of my favorite Ernest Troost songs.
https://www.youtube.com/watch?v=6wLhoc2tem0

* All funds go to the musician